Set Dressing | Hattie Fann

This production of Hamlet was centered around the idea that the entire script and actions within the play were being controlled by four gamers. Each gamers controlled a character, which meant each gamer desk must not only represent the gamer character but also that of the character they control.

This production of Hamlet was centered around the idea that the entire script and actions within the play were being controlled by four gamers. Each gamers controlled a character, which meant each gamer desk must not only represent the gamer character but also that of the character they control.

This production of Hamlet was centered around the idea that the entire script and actions within the play were being controlled by four gamers. Each gamers controlled a character, which meant each gamer desk must not only represent the gamer character but also that of the character they control.

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This production of Hamlet was centered around the idea that the entire script and actions within the play were being controlled by four gamers. Each gamers controlled a character, which meant each gamer desk must not only represent the gamer character but also that of the character they control.

This production of Hamlet was centered around the idea that the entire script and actions within the play were being controlled by four gamers. Each gamers controlled a character, which meant each gamer desk must not only represent the gamer character but also that of the character they control.

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Or, was a period piece that took place in Aphra Behn's loft. The time period was about 1660s right at the crisp of the Restorative period. All of the items in the loft were being funded by King Charles but being bought by a country writer who grew up quite poor. This allowed us to play with an interesting decor that mix both two different classes inspiration and two different style inspiration, while also mixing in the personality and habits of Aphra.

Or, was a period piece that took place in Aphra Behn's loft. The time period was about 1660s right at the crisp of the Restorative period. All of the items in the loft were being funded by King Charles but being bought by a country writer who grew up quite poor. This allowed us to play with an interesting decor that mix both two different classes inspiration and two different style inspiration, while also mixing in the personality and habits of Aphra.

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This production of Don't Dress for Dinner take place in the country cabin of two country music stars. The decor is a rustic bar meet country farm home, with several tie in's to the character's relationship and career. This includes custom records and concert poster I created for the characters as well as serval photos of the actors that mirror both they actors friendship and the character's relationship.

This production of Don't Dress for Dinner take place in the country cabin of two country music stars. The decor is a rustic bar meet country farm home, with several tie in's to the character's relationship and career. This includes custom records and concert poster I created for the characters as well as serval photos of the actors that mirror both they actors friendship and the character's relationship.

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Hattie V. Fann

615-663-0906

Hattie V. Fann

Propmaster

Prop Artisan

Hamlet's Desk

Hamlet and Claudius's Desk

Hamlet: Fall of the Sparrow

Laetres's Desk

Laertes and Gertrude's Desk

Hamlet: Fall of the Sparrow

Aphra's Writing Desk

Aphra's Writing Desk

Or,

Foyer

Bar

Don't Dress for Dinner